(Photo Credit: LA Opera/Cory Weaver) Throughout time, many operas have been written which, due to the nature of things, distracts from their quality, instead leaving them behind for other, newer alternatives. However, thanks to opera’s dedicated fanbase, including everyone from laymen to academics to performers and beyond, many operas which didn’t get their fair shot are given new life after {…}
After 140 years, Wagner’s final opera, “Parsifal,” first performed at the second Bayreuth Festival in 1882, finally got its Mexican premiere in April of this year. While not quite an opera—it was defined by Wagner as an ‘Bühnenweihfestspiel,’ or a ‘stage festival play’ with a sacred focus—Wagner’s final piece testifies to his consummate understanding of opera as not just a {…}
This week the Salzburg Festival opens a new production of “Les Contes d’Hoffmann” with an all-star cast that includes some of the best performers of the work. Among them is Kathryn Lewek, who will be taking on the challenge of portraying all four heroines, something that has always been seen as rare and complex. In preparation for the roles, Lewek {…}
(Photo credit: François Matarasso) When you think of opera, one imagines a beautifully finished product, usually disconnected from the labor involved in its creation. But what would happen if the labor to produce opera was just as foregrounded as the result of that labor? This question has been taken up in many forms over the last six to seven decades. {…}
The nature of cinematography and (classical) singing is long-winded. From some of the early experiments like the acclaimed 1927 film, “The Jazz Singer” by Warner Bros, to the emergence of new giants like Metro-Goldwyn-Mayers Studios (MGM) and their copious amount of opera-laced films like their 1935 film, “A Night at The Opera,” opera on film has had a long development. {…}
After opening at Montclair State University, Teatro Nuovo is set to bring its 2024 festival to New York City where it will showcase two rarities of the Bel Canto repertoire. One of the operas is well-known in Europe while the other “Anna di Resburgo” by Carolina Uccelli, is unknown to the world. Teatro Nuovo will unearth the work this week {…}
This week the Festival Valle d’Itria in Martina Franca is set to open a new production of Bellini’s “Norma” which will be performed in Roger Parker’s Ricordi edition. The version will see two sopranos in the opera, which is close to what Bellini originally intended. Among the artists enlisted for this production is Jacquelyn Wagner. Wagner will make her house {…}
The story of how Accademia Bizantina (AB) began seems quite simple. But like all good stories, there is more to it than meets the eye. In 1983 three classmates of the Ravenna Conservatory met for coffee. This initial meeting included Angelo Nicastro, a violist and now director of the Ravenna Festival; Romano Valentini, a pianist, organist, and harpsichordist, as well {…}
(Credit: Richard Hubert Smith) Last week, the Glyndebourne Festival opened its 2024 production of “Giulio Cesare,” a revival of a production by David McVicar. The production features a cast of rising stars and baroque specialists. Among them are Aryeh Nussbaum Cohen who is returning to the festival after his successful debut in Händel’s “Semele.” For his performances thus far he {…}
