As Renee Fleming entered from stage right, she garnered a low wave of astonishment from her shimmering silver dress and matching blue shimmering shawl. Taking to the podium, she began to explain that for many aspiring singers, the results of the Metropolitan Opera National Council Auditions competition would propel their careers. For her, it took 3 times before winning (she even {…}
This Post is for the performance on March 18, 2017. For audiences expecting a normal night out to see cabaret sung by the usual voice types, this was no such night. The SubCulture, an underground performance venue near the East Village, was presenting an evening of musical theater composer, Jason Robert Brown (Tony-award winning composer of Parade and Bridges of Madison {…}
This past Thursday night, the NYC Choral Society gave their yearly gala, once again at one of Manhattan’s finest social clubs, The Metropolitan Room, a former men’s only club on 5th Av. kitty-corner the Plaza Hotel. Each year the NYCHORAL performs concerts of their own ranging from baroque, Christmas, and contemporary music and are regularly part of the famed Richard {…}
On New Year’s Eve, the Metropolitan Opera opened a new production of Gounod’s “Roméo et Juliette.” The result was a mixed bag with two bright stars heading the cast. The production was a dreary classically fitted take that lacked clarity of vision and ultimately dragged the show. After a few months, the Met has revived the production with better results. {…}
This review is for the premiere on opening night of the run, March 6, 2017. Mozart’s “Idomeneo” has accrued quite the history at the Met since its premiere in 1982. It has been sung by major singers that include the likes of Plácido Domingo, Luciano Pavarotti, Ileana Cortrubas, Hildegard Behrens, Frederica Von Stade and Carol Vaness among many others. Safe {…}
For decades Bizet’s “Les Pêcheurs de Perles” was rarely ever performed. We would hear the famed “Friendship Duet” or get the occasional recording here and there, but seeing a staged performance was a thing of dreams. But now opera lovers can enjoy a live performance of Bizet’s often-ignored work from the comfort of their living rooms. Mind you, the Metropolitan {…}
izet’sThis review is in reference to the performance on Friday, March 3, 2017. With Bizet’s ever-famous score full of ear tingling music, catchy tunes, and drama-packed scenes, an evening of Carmen is a guaranteed great night at the opera, making this the perfect way for first-timers to first dip their toes into the operatic repertory. The Leads Lyric Opera’s production {…}
I preface this by stating that this review is for the performance on March 5, 2017. I would also like to recognize that this is just one performance of a seven-performance run. In an ideal situation, I would attend every performance and write a detailed review of the overall work. As it stands, I can only go on my perspective {…}
Aida Garifullina is quickly rising to stardom in the operatic world. Her career has surged in the past year as she has taken leading roles in the world’s greatest houses and has now become an exclusive recording artist for Decca Classics. For her debut album, Garifullina has chosen a program of classic Russian pieces that are meaningful to her and {…}